{"id":10773,"date":"2013-11-13T12:00:29","date_gmt":"2013-11-13T20:00:29","guid":{"rendered":"https:\/\/creativemarket.com\/blog\/?p=10773"},"modified":"2024-03-26T07:14:49","modified_gmt":"2024-03-26T14:14:49","slug":"inspiring-examples-of-decorative-vintage-lettering","status":"publish","type":"post","link":"https:\/\/creativemarket.com\/blog\/inspiring-examples-of-decorative-vintage-lettering","title":{"rendered":"Inspiring Examples of Decorative Vintage Lettering"},"content":{"rendered":"

Everybody’s talking about vintage design. That good old-fashioned charm is the foundation and inspiration of so many examples of beautiful designs that are trending now. The old styles have been revived, have been combined with the creativity of modern designers, and have borne gorgeous fonts, typography, ornamented design, product packaging and so much more.
\nToday, we have the benefit of technology to help us designers quickly and easily realize our creative ideas. It makes me truly appreciate the painstaking labors of artists, calligraphers, and illuminators all throughout history who did not have the benefit of Photoshop, Illustrator, and InDesign to streamline their creative processes. I’m going to take you back through history a bit to share some examples of decorative design and lettering that is not just really old, but truly amazing. Be inspired.<\/p>\n

<\/span>The Middle Ages: Before the Printing Press<\/span><\/h2>\n

\"7th-12th<\/p>\n

How can we draw inspiration from these ancient works of art? (No, it’s not just another boring art history lesson or museum exhibit). Illuminated manuscripts from the medieval times can be a treasure trove of typographical and ornamental inspiration. Examine the use of patterns, flourishes, and ornaments that decorate the hand lettering. Each letter tells its own story. Each design is different from any other.
\n\"12th
\nWhat I love about these ancient illuminated letters is the unique personality that each one was given. Every page, every letter, and every book was hand-lettered, and therefore each piece was unique.
\n\"12th
\nThese incredible initials may be a little hard to read, but the foliage, dot patterns, and other ornamental elements make them amazingly beautiful. These detailed masterpieces must have taken hours.
\n\"14th
\nThe letter “D†on the right shows an example of an intricate geometric pattern that makes this initial truly pleasing to the eye.
\nHere are a few examples of typefaces on Creative Market that revive Medieval hand lettering:\n<\/p>\n

\"600x375-f\"<\/a><\/p>\n

\"Cancellaresca\"<\/a>\"1492<\/a><\/p>\n

<\/span>The Renaissance and Baroque Periods<\/span><\/span><\/h2>\n

\nIn the fifteenth and sixteenth centuries, we start seeing some more familiar letter shapes. The printing press is beginning to make the written thought much more affordable, but exquisite penmanship is now at its height, and decorative hand lettering is still very popular.
\n\"15th
\n\"15th
\nOne of the characteristics of this alphabet (above) that I like best is the modulation of the pen used to create very subtle dimension.
\n\"16th
\n\"16th
\n\"16th
\n\"16th
\nSkilled calligraphers were often quite pleased with their own work and would sometimes show off with lots of flourishes. Flourishes like these are still popular today as swashes or ornaments in many modern display or script fonts.
\nHere are a couple examples of fonts on Creative Market that revive the Renaissance and Baroque periods:
\n\"Glosso<\/a>
\n\"Gutknecht\"<\/a>\n<\/p>\n

\"1540<\/a><\/h2>\n

<\/span>Victorian Display Type: The Vintage Inspiration of Today<\/span><\/h2>\n

\nFinally we come to the period of history in which were born the forefathers of today’s trendy vintage typography. Notice that many of the type and lettering designs from the Victorian era get their inspiration from letter forms and illuminated manuscripts from the Medieval and Renaissance times. Like modern designers do today, Victorian typographers took inspiration from earlier time periods and added their own “modern†touches.
\n\"Victorian
\nOne aspect of these decorated letters that I like best is the use of lines brought closer together to create shadows. This woodcut effect is what makes much of our modern vintage design and typography so charming.
\n\"Victorian\n<\/p>\n

\"Victorian<\/p>\n

\nThe above example is quite, er… delicious. I especially like the subtle shadow on the word “Norwegian.†It is one example of how the use of a thin line can be very effective in creating dimension.
\n\"Vintage<\/a>\n<\/p>\n

\"Lithographer's<\/a>Do you notice how often designers in the Victorian era borrowed typefaces from the Medieval period? I don’t think vintage lettering will ever really go out of style. It will just keep evolving in unique ways as design trends change.<\/p>\n

\"Stock<\/a><\/p>\n

\"Victorian<\/a><\/p>\n

\"Victorian<\/p>\n

\nHere are a few beautiful decorative vintage fonts from our excellent font crafters on Creative Market:\n<\/p>\n

\"1-f\"<\/a> \"22-f\"<\/a><\/p>\n

\"cww-inspired-f\"<\/a> \"intellectamonogramcaps_banner-f\"<\/a><\/p>\n

\"Epique\"<\/a>Image Sources (and More <\/strong>Sources for Inspiration:)<\/strong><\/p>\n