First, let’s cover the basics. If you’re new to the field of graphic design, you might wonder what a portfolio is or what it’s used for.<\/p>\n\n\n\n
In short, a graphic design portfolio is a collection of your work so far. Typically, it’ll include your best and proudest achievements, with the very finest examples of your design abilities in the form of high-quality images and descriptive texts to explain each inclusion. <\/p>\n\n\n\n
If you’ve done work in art direction or logo design, for instance, you can dedicate part of your portfolio to showing off your past projects or logo creations and explaining how and why you went in those particular design directions.<\/p>\n\n\n\n
Portfolios can be physical or digital. You can print off examples of your design work, for example, to carry into creative agency interviews and client meetings under your arm, or set up a portfolio site to attract clients online or post across your social media accounts.<\/p>\n\n\n\n
For students, graduates, and younger designers, their portfolios may not be quite as full as those of older and more experienced pros. But, as you gain experience and take on more projects in digital or print design, you’ll build a more complete portfolio that shows off your evolving skills and achievements.<\/p>\n\n\n\n
<\/span>The Purpose of Portfolios<\/span><\/h2>\n\n\n\nIn artistic fields like graphic design, web design, or even fashion design, it’s commonplace for professionals to have a portfolio to show to prospective recruiters, partners, clients, or other pros in the business.<\/p>\n\n\n\n
It’s almost more important than a resume for those in graphic design, as it provides real-world examples of your work, showing people exactly what you’re capable of and letting them decide, based on that, whether or not you’re the right fit for their next project.<\/p>\n\n\n\n
<\/span>The Importance of Creating a Great Graphic Design Portfolio Website<\/strong><\/span><\/h2>\n\n\n\nBefore we list the top graphic design portfolio tips from our assembled experts, it\u2019s important to understand why you need to put so much time and effort into your portfolio to begin with.<\/p>\n\n\n\n
Put simply, your graphic design portfolio is your main marketing tool.<\/p>\n\n\n\n
It\u2019s what you\u2019ll use to impress future clients and employers. Their first impressions of you and your work will almost always be based primarily on your portfolio. In order to ensure that those impressions are positive, your portfolio naturally needs to be well-designed, engaging, and impressive.<\/p>\n\n\n\n
But that\u2019s not the only reason why your portfolio matters so much.<\/p>\n\n\n\n
It\u2019s not just for showing off your professional background and design style to impress workers. It\u2019s also vital for building credibility, proving that you\u2019re capable of the kind of work that people will want to hire you for. It serves as evidence of your abilities and experience so far, as well as allowing readers to track your progress and growth from project to project.<\/p>\n\n\n\n
Many graphic designers also find portfolios to be crucial visual communication tools for successful interviews. You can bring your portfolio along and show off examples to demonstrate your creative process. This can make it much easier to back up your responses to interview questions and sell your personal brand.<\/p>\n\n\n\n
<\/span>Graphic Design Portfolio Tips<\/strong><\/span><\/h2>\n\n\n\nNext, let\u2019s see the full list of proven portfolio-building tips you should keep in mind to establish a clear brand identity, impress employers, and show off your passion projects.<\/p>\n\n\n\n
<\/span>1. Know That What You Put in Your Portfolio Leads to What You’ll Be Hired for<\/span><\/h2>\n\n\n\n![\"What](\"https:\/\/d3ui957tjb5bqd.cloudfront.net\/uploads\/2020\/03\/03205038\/What-Should-a-Graphic-Design-Portfolio-Include-Experts-Weigh-In-1.jpg.webp\")
<\/figure>\n\n\n\nKnowing how your prospects and clients think goes a long way toward getting the new projects that you\u00e2\u20ac\u2122re really interested in. Take that into consideration when assembling the elements of your graphic design portfolio<\/a>, reveals JUST Creative\u00e2\u20ac\u2122s Jacob Cass. \u00e2\u20ac\u0153What you put in your portfolio is what you will get hired for, so ensure what’s in there is the work you’re actually wanting to do, Jacob said.<\/p>\n\n\n\nAt the end of the day, having something which to call your niche is what matters. \u00e2\u20ac\u0153For example, if you wanted to work on branding projects, a focus on logos and identity would be more beneficial than featuring a mixed bag of websites, packaging, and identity. Having a niche and specialization greatly improves your chances of being hired.<\/p>\n\n\n\n
\n- Jacob Cass, Brand Designer and Founder at JUST Creative<\/a><\/li>\n<\/ul>\n\n\n\n
<\/span>2. It Comes Down to the Trifecta<\/span><\/h2>\n\n\n\n![\"What](\"https:\/\/d3ui957tjb5bqd.cloudfront.net\/uploads\/2020\/03\/03205136\/What-Should-a-Graphic-Design-Portfolio-Include-Experts-Weigh-In-2.jpg.webp\")
<\/figure>\n\n\n\nSome designer professionals believe in a trifecta of must-haves when deciding on whether to hire a graphic designer or not. Therefore, it\u00e2\u20ac\u2122s a good idea to consider having these three elements as part of your broader<\/em> graphic design portfolio. Crown Creative NYC\u00e2\u20ac\u2122s Alejandro Rodriguez explains.<\/p>\n\n\n\n\u00e2\u20ac\u0153When we review a potential design candidate, we want to see the trifecta: their website, their portfolio, and their Instagram<\/a>. If you\u00e2\u20ac\u2122re not posting your work on Instagram, then you should be, Alejandro said.
His other actionable tips include:<\/p>\n\n\n\n\n- Present your work in a unique way<\/strong> \u00e2\u20ac\u201c If someone is reviewing a bunch of portfolios at once, they can begin to blend together. You want to catch them off guard and stand out in the crowd. This can be done with unique layouts and original mockups; ensure they are super-realistic, or create your own. Seeing the same, typical mockups on repeat can devalue your work. Think outside of the box; showing your actual work in situ tells a story and shows proof of concept.<\/li>\n\n\n\n
- Always cater your graphic design portfolio to who is receiving it and be mindful of short attention spans<\/strong> \u00e2\u20ac\u201c Put your most relevant and strongest work in the forefront, and try to align your portfolio<\/a> with the job you are pursuing. There is no need to include everything you\u00e2\u20ac\u2122ve ever worked on, just your best work.<\/li>\n\n\n\n
- Create<\/em><\/strong> some work<\/strong> \u00e2\u20ac\u201c As designers, we have the ability to create conceptual work and projects for little to no cost, so, if you don\u00e2\u20ac\u2122t have projects that align with a job you\u00e2\u20ac\u2122re pursuing, create some. This shows that you\u00e2\u20ac\u2122re willing to put in hours of your own time to land better jobs and opportunities.<\/li>\n<\/ul>\n\n\n\n
Alejandro Rodriguez, Senior Designer at Creative Crown NYC<\/a><\/strong><\/p>\n\n\n\n<\/span>3. Help Your Graphic Design Portfolio Stand Out with a Personal Touch<\/span><\/h2>\n\n\n\n![\"What](\"https:\/\/d3ui957tjb5bqd.cloudfront.net\/uploads\/2020\/03\/03205332\/What-Should-a-Graphic-Design-Portfolio-Include-Experts-Weigh-In-3.jpg.webp\")
<\/figure>\n\n\n\nHere\u00e2\u20ac\u2122s some advice that may catch you by surprise, especially those designers just starting out: Your portfolio<\/a> is actually analogous to your resume.<\/p>\n\n\n\nA Perfect Graphic\u00e2\u20ac\u2122s Chris Flechtner points out that having a letter of introduction to accompany your portfolio<\/a> allows him to be personal with prospects and clients.<\/p>\n\n\n\n\u00e2\u20ac\u0153For a potential employer, I start off with a letter of introduction. I get personal and maybe a little corny by telling of my pre-teenage days and how much I loved art and graphics from a young age.<\/p>\n\n\n\n
For example, I tell about studying the masters like Da Vinci and Michelangelo and my parents\u00e2\u20ac\u2122 patience as I set up a rickety scaffold in my bedroom to paint a fresco on my ceiling. I also include notable things like winning a design contest at the age of 12. I want people to feel like they knew me a little, so I want to be candid and forthcoming, Chris indicated.<\/p>\n\n\n\n
\u00e2\u20ac\u0153As far as showing my art, I try to present myself or my company as professionally as possible. I show samples of as many different styles and applications as possible. I try to avoid showing work that all looks the same. Rather, I display as much diversity as I can because you never know what somebody will like or what they are looking for.<\/p>\n\n\n\n
Chris Flechtner, Director of Operations at A Perfect Graphic<\/a><\/strong><\/p>\n\n\n\n<\/span>4. Understand What You Specialize in and Communicate That Well<\/span><\/h2>\n\n\n\nWhen your prospects and future clients are evaluating your graphic design portfolio, they are trying to figure out what your specialty is. After all, any designer can be a jack of all trades and a master of none. That\u00e2\u20ac\u2122s why this differentiation is so crucial, as Kgrafix\u00e2\u20ac\u2122s Kim Jones points out.<\/p>\n\n\n\n
<\/span><\/a>Example headline<\/span><\/h5>\n\n\n\n\u00e2\u20ac\u0153I think it\u00e2\u20ac\u2122s important to understand the services or those things that you specialize in as a graphic designer, as you build your portfolio. If you specialize in packaging design<\/a>, it\u00e2\u20ac\u2122s important to show work that you\u00e2\u20ac\u2122ve done for customers showing your packaging design, Kim said.<\/p>\n\n\n\n\u00e2\u20ac\u0153I offer a variety of services and consider my business a one-stop shop. I have a background in printing, so it\u00e2\u20ac\u2122s important that my portfolio shows work from graphic design to the final printed piece. Showing pieces that have been printed on a variety of substrates from postcards and manufacturing products to signs and tradeshow booths emphasizes that my business offers services from graphic design<\/a> to the printed piece.<\/p>\n\n\n\nAnd let\u00e2\u20ac\u2122s also not forget the usefulness of showing your work the way that your client and the public will see it.<\/p>\n\n\n\n
\u00e2\u20ac\u0153I think it\u00e2\u20ac\u2122s also important to show a variety of your graphic design work in its true form. Many graphic designers today have been trained strictly on a computer screen, never really seeing their work in its final state. If you have an opportunity to get samples of final printed work, do so and include it in your portfolio, Kim continued.<\/p>\n\n\n\n
Kim Jones, Graphic Designer and Owner at Kgrafix<\/a><\/strong><\/p>\n\n\n\n<\/span>5. Broaden Your Concept of What Portfolio Design Can Be<\/strong><\/span><\/h2>\n\n\n\n![\"What](\"https:\/\/d3ui957tjb5bqd.cloudfront.net\/uploads\/2020\/03\/03205544\/What-Should-a-Graphic-Design-Portfolio-Include-Experts-Weigh-In-4.jpg.webp\")
<\/figure>\n\n\n\nIt\u00e2\u20ac\u2122s helpful to think of your design portfolio<\/a> as something more than just a visual work that you show prospects and clients. Think about the effect<\/em> your portfolio has on them and how its elements impact the types of projects you win and the work you end up doing.<\/p>\n\n\n\nTo that end, Elise Grinstead of Elisign Design recommends the following, four points to land more clients:<\/p>\n\n\n\n
Showcase work that solves real-life problems and challenges:<\/strong> While you may produce beautiful and creative design products, the client needs to see that you are able to understand a communication challenge and how to apply graphic design to it to most effectively carry the intended message, action, or effect. Good design is about more than just creating “beautiful” or “cool” results. An effective way to do this is to write descriptions with your work that break up the project into:<\/p>\n\n\n\n\n- Background<\/li>\n\n\n\n
- Client\/Industry<\/li>\n\n\n\n
- Targeted Audience<\/li>\n\n\n\n
- Communication Challenge\/Problem that was addressed<\/li>\n\n\n\n
- Strategies used in design solution<\/li>\n\n\n\n
- Mediums used<\/li>\n<\/ul>\n\n\n\n
If you do not have relevant client work that fits this, do a hypothetical work using a real-life company and example (and be sure to mention in your portfolio that it is only hypothetical!).<\/p>\n\n\n\n
Showcase work that demonstrates the best of your abilities:<\/strong> The best graphic design portfolio examples are like highlight reels, showing off the very best of that designer’s abilities. So, don\u2019t put every project you\u2019ve ever designed into your portfolio. Curate it to only show the best of your work.<\/p>\n\n\n\nConsider curating your portfolio to match the industry you want to work in:<\/strong> If you want to be in book design, show long-form typographic pieces, and creative imagery concepts that could carry over to cover art or, better yet, an actual book product. Don\u2019t make prospective clients or employers think too hard about if or how you could be a good fit for them\u2013show them right away.<\/p>\n\n\n\nPro tip: <\/strong>While you may have a graphic design portfolio online, consider creating separate PDF portfolio files that are customized for the job you are seeking, along with a cover page that lists the prospective client\/employer’s name with yours. Curate the work relevant to them. This shows your insight into what they are looking for and the time you\u2019ve spent carefully considering the match you could be for them, instead of sending them your portfolio website URL like everyone else does!<\/p>\n\n\n\nYour portfolio is an extension of your own visual branding:<\/strong> If you struggle with web design and cannot design your graphic design portfolio website well and just put the content of projects in, it does not show that you will steward a future project or client well. Remember to present the full visual package of who you are\u00e2\u20ac\u201dthis is a bonus of being a graphic designer<\/a>! Make your graphic design portfolio a cohesive design piece, not just the pieces within. <\/p>\n\n\n\nElise Grinstead, Graphic Designer and Founder at Elisign Design<\/a><\/strong><\/p>\n\n\n\n<\/span>6. Don’t Be Shy About Showing Off Your Best Clients<\/span><\/h2>\n\n\n\nThe whole point of your graphic design folder<\/a> is to impress potential clients. Impress them, and your chances of being hired drastically go up. One of the surest ways of doing this is by using the concept of social proof\u00e2\u20ac\u201das in using your connection with recognizable brands you\u00e2\u20ac\u2122ve worked with in the past to tell your prospects that you\u00e2\u20ac\u2122re in demand and trusted by important clients.
That\u00e2\u20ac\u2122s how SullivanPerkins\u00e2\u20ac\u2122 Mark Perkins, founder of one of the country\u00e2\u20ac\u2122s leading creative service firms, sees it.
\u00e2\u20ac\u0153If the purpose is to attract more clients, then you want to show work from the verticals (healthcare, manufacturing, real estate, whatever) that you hope to attract, and you also want to show the most recognizable client names, Mark stated.
In essence, if you\u00e2\u20ac\u2122ve worked with more well-known clients, then, by all means, let them take center stage in your graphic design dossier.
\u00e2\u20ac\u0153There\u00e2\u20ac\u2122s no real need to show that innovative, pro-bono work for the experimental theater company or the fabulous posters volunteered for the local graphic arts club that got in every award show. The pharmaceutical client is going to be far more interested in your pedestrian packaging for Pfizer than in the clever, pro-bono logo for the local animal shelter.<\/p>\n\n\n\nMark Perkins, President & CEO at SullivanPerkins<\/a><\/strong><\/p>\n\n\n\n<\/span>7. Always Have a Multi-Pronged Approach to Your Graphic Designer Portfolio<\/span><\/h2>\n\n\n\nYou never want to put all your eggs in the same basket, and so it is, too, with your design folder. Use creativity when thinking about how to present your graphic design portfolios to prospects; after all, your penchant for being creative shouldn\u00e2\u20ac\u2122t be limited to just your projects.<\/p>\n\n\n\n
According to Tribu\u00e2\u20ac\u2122s graphic designer<\/a>, Stefan Barber, the following checklist is critical for any designer who wants to put their best design foot forward:<\/p>\n\n\n\n\n- We love to see work that extends past a single print ad. How can you accomplish the same thing in 15 different ways? Use email, social (all platforms), and various other digital media.<\/li>\n\n\n\n
- How successful was the work? In a quick writeup, tell the reviewer why the work is\/was important.<\/li>\n\n\n\n
- Variation in style. You can do graffiti art<\/a>, but how does your corporate portfolio look?<\/li>\n\n\n\n
- If the graphic design portfolio is limited because you’re a young designer, make something up. Do a mock campaign\/branding effort. The world is your oyster.<\/li>\n\n\n\n
- The amount of pieces you should include varies. If you flesh out three, badass campaigns, you’re set. We’re all fighting against the clock, so less is more (considerate). If you are showing branding, the same applies: E x t e n d the brand.<\/li>\n\n\n\n
- Turn to your friends. If you’re worried about what to put in a graphic design portfolio, show your friends your portfolio, but act like it’s someone else’s. They’ll give more honest feedback.<\/li>\n<\/ul>\n\n\n\n
Stefan Barber, Graphic Designer at <\/strong>Tribu<\/strong><\/a><\/p>\n\n\n\n<\/span>8. Get Better Results by Implementing This Three-Step Sequence<\/span><\/h2>\n\n\n\nIt seems like doing things in a cadence of three is popular with more than one of the experts we reached out to! These three action items are designed to reduce the friction for graphic designers who want to create a strong graphic design portfolio that\u00e2\u20ac\u2122ll attract more leads and actual work.<\/p>\n\n\n\n
Jansy\u00e2\u20ac\u2122s senior graphic designer, Matt Keefer, swears by these three steps.<\/p>\n\n\n\n
\u00e2\u20ac\u0153First things first: Determine what kind of career path you see yourself going down as a graphic designer. Your career could take you in the direction of a print designer, web designer<\/a>, UX\/UI designer, illustrator, animator\/motion designer, film\/video editor, and so on. It\u00e2\u20ac\u2122s important that your pieces of work within your portfolio visually reflect and communicate exactly what career path you are trying to aim for, Matt explained.<\/p>\n\n\n\n\u00e2\u20ac\u0153Second, limit the number of pieces within your portfolio and keep it compelling. Ideally speaking, you want to show anywhere from seven to 10 pieces of your BEST work within a portfolio. Whether you\u00e2\u20ac\u2122re sending this off to a potential employer or potential client, they will need to get an immediate impression of your work. A portfolio that is too long or drawn out can lose the viewers\u00e2\u20ac\u2122 attention or simply get lost amongst the rest, Matt continued.<\/p>\n\n\n\n
\u00e2\u20ac\u0153Finally, provide insight into your design process and how you got to your design solution. No matter what field you\u00e2\u20ac\u2122re in, design is all about solving an issue and providing a thoughtful solution. Each one of your portfolio pieces needs to provide a short brief about the assignment, \u00e2\u20ac\u02dcThe Challenge,\u00e2\u20ac\u2122 and then explain how you got to your design solution, \u00e2\u20ac\u02dcThe Execution.\u00e2\u20ac\u2122 This helps provide further insight to your design process and how you problem-solve as a graphic designer<\/a>.<\/p>\n\n\n\nMatt Keefer, Senior Graphic Designer at Jansy<\/a><\/strong><\/p>\n\n\n\n<\/span>9. Evolve the Contents of Your Graphic Design Portfolio<\/span><\/h2>\n\n\n\n![\"What](\"https:\/\/d3ui957tjb5bqd.cloudfront.net\/uploads\/2020\/03\/03210656\/What-Should-a-Graphic-Design-Portfolio-Include-Experts-Weigh-In-6.jpg.webp\")
<\/figure>\n\n\n\nOne thing you’ll notice about every great graphic design portfolio example is that they feel like living, breathing entities. The best graphic design portfolios should never be static; they should always contain samples of your work that show your evolution<\/a> as a creative.<\/p>\n\n\n\nMovement and change are always healthy, constructive concepts in life. Apply them to your portfolio to show your leads that you have what it takes to grow. headTrix\u00e2\u20ac\u2122s Mark Itskowitch realizes that this is also a core aspect of marketing, which your portfolio supports.<\/p>\n\n\n\n
“When it comes time to creating a portfolio, you want to share your best work. If you are just starting out, you can post school projects, personal projects, etc., to show off what you can do. Then, as you get more work and create more projects, it’s important to constantly update your portfolio and put a variety of your best work forward, Mark said.<\/p>\n\n\n\n
\u00e2\u20ac\u0153You can focus on the kind of work you are looking to do more of or, if you have a variety of skills, I think it’s great to share a diverse set of skills which can make you more marketable and enable you to pick up a wider variety of clients and work.<\/p>\n\n\n\n
Mark Itskowitch, Creative Director and Principal at <\/strong>headTrix<\/strong><\/a><\/p>\n\n\n\n<\/span>10. Build a Portfolio Around Range and Concept<\/span><\/h2>\n\n\n\nShowcasing your range as a designer, along with your grasp of concept, is just as important as the actual samples of work inside your folder. Use your samples to demonstrate this range and grasp of concept that clients and employers will want to see.<\/p>\n\n\n\n
Scout Driscoll, from DesignScout, bases this advice on her agency\u00e2\u20ac\u2122s own criteria when it comes to evaluating new hires.<\/p>\n\n\n\n
We look for a portfolio that shows a designer\u00e2\u20ac\u2122s range and for designers who demonstrate that they can nimbly jump from one style to the next, putting the brand<\/a> voice and strategy before trend or personal style. In any given day, our troop jumps from an international, wine label design to a legacy-driven, architecture firm re-brand to an active lifestyle-inspired, fast casual concept. Make sure that each project in your book speaks to your range to attract studios with a wide variety of clientele, Scout advised.<\/p>\n\n\n\nThen, there\u00e2\u20ac\u2122s the concept behind your design samples. How you think and relate to your audience should be visible in your graphic design portfolio, too.<\/p>\n\n\n\n
\u00e2\u20ac\u0153Consumers read design faster than words. What is your design saying? When you present your portfolio, be sure to highlight the strategy behind your work, Scout continued. \u00e2\u20ac\u0153Demonstrate how that strategy was used for each design you present. It\u00e2\u20ac\u2122s not enough for your design to be beautiful, edgy, or on trend<\/a>. It has to say something specific to the end user about what makes the product or brand different and better. How you think is just as important as pixel-perfect design.<\/p>\n\n\n\nScout Driscoll, Founder and CEO at DesignScout<\/a>.<\/strong><\/p>\n\n\n\n<\/span>11. Study Your Audience Like a Hawk<\/span><\/h2>\n\n\n\n![\"What](\"https:\/\/d3ui957tjb5bqd.cloudfront.net\/uploads\/2020\/03\/03210953\/What-Should-a-Graphic-Design-Portfolio-Include-Experts-Weigh-In-7.jpg.webp\")
<\/figure>\n\n\n\nRemember that your graphic design portfolio is a marketing<\/a> tool\u00e2\u20ac\u201dyou\u00e2\u20ac\u2122re marketing yourself as the best designer for the project. One of the most vital rules of marketing is understanding what your target audience needs and then positioning yourself as the designer with the best value proposition for said needs.<\/p>\n\n\n\nThis actionable tip is less about what to fill your portfolio with, as it is about researching the clients you want to work with.<\/p>\n\n\n\n
903 Creative\u00e2\u20ac\u2122s Aaron Gibson expands on this idea.<\/p>\n\n\n\n
\u00e2\u20ac\u0153If your portfolio is being shown to a specific studio or client, curate the included pieces to reflect their unique services, styles, or needs. This will illustrate that you are equipped to solve the unique design challenges they face. If interviewing with a design studio, do your homework. Study their portfolio to see which of your pieces will best complement and enhance their body of work, Aaron said.<\/p>\n\n\n\n
\u00e2\u20ac\u0153At the same time, look for opportunities to showcase a unique skill or style that you can bring to the table. Photography<\/a>, illustration, copywriting, and lettering are only a handful of ancillary design skills that can increase a candidate\u00e2\u20ac\u2122s value to a potential employer or client. Consider which elements of your portfolio and skillset make you the best fit to the person viewing your work, and tailor your presentation accordingly.<\/p>\n\n\n\nAaron Gibson, Designer and Partner at 903 Creative<\/a><\/strong><\/p>\n\n\n\n<\/span>12. Keep up With Design Trends<\/span><\/h2>\n\n\n\nIt\u00e2\u20ac\u2122s important to showcase diverse views, so here\u00e2\u20ac\u2122s a bit of insight that may be controversial to some. Keep up with design trends<\/a>, not to show that you\u00e2\u20ac\u2122re into fads, but to show your prospective clients that you\u00e2\u20ac\u2122re always working and understand the latest developments in your industry.<\/p>\n\n\n\nArctic Lynx Media & Design\u00e2\u20ac\u2122s Cesar Jaramillo believes that using your portfolio so demonstrate your understanding of different trends is key to getting clients.<\/p>\n\n\n\n
\u00e2\u20ac\u0153The main key to attracting clients is in the process of keeping up to date with design trends. As you are building your portfolio for clients to see your work, it’s important to understand how design has been evolving over the past years. I’ve always favored clean and simple designs that hit right to the point of execution, Cesar stated.<\/p>\n\n\n\n
This tip ties into client education: The more trends you have in your folder to show clients, the more you show your capacity.<\/p>\n\n\n\n
\u00e2\u20ac\u0153Composing your portfolio with a variety of your work is going to give others who view it a more in-depth idea of what you’re capable of. Anywhere between 15 to 20 pieces will suffice.<\/p>\n\n\n\n
Cesar Jaramillo, Graphic Designer and Founder at Arctic Lynx Media & Design<\/a><\/strong><\/p>\n\n\n\n<\/span>13. Be Selective and Put Your Work in Context<\/span><\/h2>\n\n\n\nThis interrelated strategy comes down to how your prospective clients see<\/em> you when you apply for work. Cr\u00c3\u00a8me Brands\u00e2\u20ac\u2122 Kathryn Joachim suggests that paying attention to how your graphic design portfolio comes across to your clients is key to winning projects.<\/p>\n\n\n\n\u00e2\u20ac\u0153People will assume you are only capable of the type of work they\u00e2\u20ac\u2122ve already seen from you. This may mean that you only show parts of a project that stylistically align with where you want to take your aesthetic. This may mean you need to do some case study projects, where you rebrand or re-wireframe an existing company in the niche you want to pursue. Be selective. This means you will have work you\u00e2\u20ac\u2122ve done that\u00e2\u20ac\u2122s incredible \u00e2\u20ac\u201d but doesn\u00e2\u20ac\u2122t align with where you are taking your business, Kathryn revealed.<\/p>\n\n\n\n
Context changes how your clients perceive your work, too. The many templates<\/a> we have here at Creative Market can certainly help with that.<\/p>\n\n\n\n\u00e2\u20ac\u0153My second piece of advice would be to show your work in context. Make sure you\u00e2\u20ac\u2122re showing the full experience of the design you\u00e2\u20ac\u2122re delivering. Mock up the logo on real products and storefronts \u00e2\u20ac\u201d wherever you\u00e2\u20ac\u2122d ideally see it exist! For years, we have hired a photographer and stylist to create flatlays for our portfolio and clients to show off their new brand and site design. Now, with sites like Creative Market growing in their offerings, there are more high-quality templates and mockups than ever that you have available to you to create a realistic backdrop for your creations.<\/p>\n\n\n\n
Kathryn Joachim, Brand Strategist and Owner at Cr\u00c3\u00a8me Brands<\/a><\/strong><\/p>\n\n\n\n<\/span>14. Represent Yourself Honestly<\/span><\/h2>\n\n\n\n![\"What](\"https:\/\/d3ui957tjb5bqd.cloudfront.net\/uploads\/2020\/03\/03211417\/What-Should-a-Graphic-Design-Portfolio-Include-Experts-Weigh-In-9.jpg.webp\")
<\/figure>\n\n\n\nHonesty is still the best policy.<\/p>\n\n\n\n
Hokey sayings aside, being honest in how you present yourself through your graphic design portfolio establishes your credibility with a prospective employer or client. It\u00e2\u20ac\u2122s actually one of the 10 traits of highly sought-after designers<\/a>.<\/p>\n\n\n\nIt\u00e2\u20ac\u2122s a mistake to do otherwise, says Cody Tilson of Leviathan.<\/p>\n\n\n\n
\u00e2\u20ac\u0153The projects we work on are complicated and require collaboration every step of the way. Be honest and forthcoming about your involvement in every project\u00e2\u20ac\u201dno one is going to expect that you work in a vacuum. There is nothing wrong with clearly outlining your role in creating something bigger than yourself; we’ll respect you more for doing so, Cody stressed.<\/p>\n\n\n\n
Cody Tilson, Creative Director at Leviathan<\/a><\/strong><\/p>\n\n\n\n<\/span>15. Tailor Your Graphic Design Portfolio Website to the User Experience<\/span><\/h2>\n\n\n\n![\"What](\"https:\/\/d3ui957tjb5bqd.cloudfront.net\/uploads\/2020\/03\/03211612\/What-Should-a-Graphic-Design-Portfolio-Include-Experts-Weigh-In-10.jpg.webp\")
<\/figure>\n\n\n\nIn all likelihood, your graphic design portfolio lives online, whether as your personal website or a dedicated portfolio page. As such, it’s imperative that you ensure a one-of-a-kind user experience<\/a> for your client or potential employer who lands on your site. That means working hard on web design to ensure that users can navigate and understand your portfolio website with ease.<\/p>\n\n\n\nAaron Sanfillippo from Two by Four gives us the lowdown.<\/p>\n\n\n\n
\u00e2\u20ac\u0153Your portfolio\u00e2\u20ac\u2122s design should be simple to navigate and straightforward enough to easily understand. If your portfolio\u00e2\u20ac\u2122s layout or content is somehow distracting, it\u00e2\u20ac\u2122ll likely lead to someone leaving your website. Don\u00e2\u20ac\u2122t clutter your site with unnecessary content and fluff. Someone is looking at your portfolio because they want to see your work and understand a little bit about who you are as an individual (or team). The best portfolios are able to showcase these two simultaneously, not separately. What do you want someone to be able to take away from your site? What impression do you want to leave them with? Find out what that is, and cater your portfolio\u00e2\u20ac\u2122s viewing\/reading experience based off your answer.<\/p>\n\n\n\n
Today\u00e2\u20ac\u2122s UX also means mobile<\/a>, more than anything else.<\/p>\n\n\n\n\u00e2\u20ac\u0153In today\u00e2\u20ac\u2122s world, your portfolio needs to be digestible on a phone screen. You don\u00e2\u20ac\u2122t get to choose when or how potential clients look at your portfolio, so you need to keep in mind all viewing possibilities\u00e2\u20ac\u201dan even better reason to keep your portfolio simple and straightforward, Aaron conveyed.<\/p>\n\n\n\n
Finally, your graphic design portfolio needs to compel<\/em> your leads to take action\u00e2\u20ac\u201dwhich means getting in touch with you.<\/p>\n\n\n\n\u00e2\u20ac\u0153Want someone to reach out to you for work? Want to learn how you can help them and their business? Make that clear. Find a dedicated spot on your website for a direct call-to-action and simple ways for someone to communicate with you, like an email address and\/or phone number. Don\u00e2\u20ac\u2122t make someone work to find this information. Avoid a project form asking clients for their project\u00e2\u20ac\u2122s budget, what type of project they\u00e2\u20ac\u2122re reaching out about, etc. \u00e2\u20ac\u201d that can all come later in the process. People want to talk to people\u00e2\u20ac\u201dnot forms. This is your opportunity to make a personal first impression with a potential client, so make it count.<\/p>\n\n\n\n
Aaron Sanfillippo, Design Director at Two by Four<\/a><\/strong><\/p>\n\n\n\n<\/span>16. Put Your Unique Value Proposition on Full Display<\/span><\/h2>\n\n\n\nYour unique value proposition (UVP) should be top of your mind when compiling your graphic design<\/a> portfolio. Your leads need to come away with knowing what you do better than all the other designers around you, who are vying for the same project or position.<\/p>\n\n\n\n\n\nShook Kelley\u00e2\u20ac\u2122s Sabrina Fan recommends that graphic designers differentiate themselves by highlighting the value they bring.<\/p>\n\n\n\n
\u00e2\u20ac\u0153Feature the thought process and rationale behind projects, to help prospective clients see the value you offer beyond aesthetics. On-trend and turnkey aesthetics are easy to buy online nowadays. The real value of hiring a professional graphic designer<\/a> is in how design can be used to address, enhance, or solve their specific business objectives and challenges.<\/p>\n\n\n\nBe seen as a guide who can lead businesses to solutions they wouldn\u00e2\u20ac\u2122t have thought of independently.<\/p>\n\n\n\n
Show the success of the work. Bring prospective clients full circle in understanding how projects impacted clients you worked with before. Frame successes around client objectives rather than design objectives, which they may not understand or care about, Sabrina said.<\/p>\n\n\n\n
Before we list the top graphic design portfolio tips from our assembled experts, it\u2019s important to understand why you need to put so much time and effort into your portfolio to begin with.<\/p>\n\n\n\n
Put simply, your graphic design portfolio is your main marketing tool.<\/p>\n\n\n\n
It\u2019s what you\u2019ll use to impress future clients and employers. Their first impressions of you and your work will almost always be based primarily on your portfolio. In order to ensure that those impressions are positive, your portfolio naturally needs to be well-designed, engaging, and impressive.<\/p>\n\n\n\n
But that\u2019s not the only reason why your portfolio matters so much.<\/p>\n\n\n\n
It\u2019s not just for showing off your professional background and design style to impress workers. It\u2019s also vital for building credibility, proving that you\u2019re capable of the kind of work that people will want to hire you for. It serves as evidence of your abilities and experience so far, as well as allowing readers to track your progress and growth from project to project.<\/p>\n\n\n\n
Many graphic designers also find portfolios to be crucial visual communication tools for successful interviews. You can bring your portfolio along and show off examples to demonstrate your creative process. This can make it much easier to back up your responses to interview questions and sell your personal brand.<\/p>\n\n\n\n
<\/span>Graphic Design Portfolio Tips<\/strong><\/span><\/h2>\n\n\n\nNext, let\u2019s see the full list of proven portfolio-building tips you should keep in mind to establish a clear brand identity, impress employers, and show off your passion projects.<\/p>\n\n\n\n
<\/span>1. Know That What You Put in Your Portfolio Leads to What You’ll Be Hired for<\/span><\/h2>\n\n\n\n<\/figure>\n\n\n\nKnowing how your prospects and clients think goes a long way toward getting the new projects that you\u00e2\u20ac\u2122re really interested in. Take that into consideration when assembling the elements of your graphic design portfolio<\/a>, reveals JUST Creative\u00e2\u20ac\u2122s Jacob Cass. \u00e2\u20ac\u0153What you put in your portfolio is what you will get hired for, so ensure what’s in there is the work you’re actually wanting to do, Jacob said.<\/p>\n\n\n\nAt the end of the day, having something which to call your niche is what matters. \u00e2\u20ac\u0153For example, if you wanted to work on branding projects, a focus on logos and identity would be more beneficial than featuring a mixed bag of websites, packaging, and identity. Having a niche and specialization greatly improves your chances of being hired.<\/p>\n\n\n\n
\n- Jacob Cass, Brand Designer and Founder at JUST Creative<\/a><\/li>\n<\/ul>\n\n\n\n
<\/span>2. It Comes Down to the Trifecta<\/span><\/h2>\n\n\n\n<\/figure>\n\n\n\nSome designer professionals believe in a trifecta of must-haves when deciding on whether to hire a graphic designer or not. Therefore, it\u00e2\u20ac\u2122s a good idea to consider having these three elements as part of your broader<\/em> graphic design portfolio. Crown Creative NYC\u00e2\u20ac\u2122s Alejandro Rodriguez explains.<\/p>\n\n\n\n\u00e2\u20ac\u0153When we review a potential design candidate, we want to see the trifecta: their website, their portfolio, and their Instagram<\/a>. If you\u00e2\u20ac\u2122re not posting your work on Instagram, then you should be, Alejandro said.
His other actionable tips include:<\/p>\n\n\n\n\n- Present your work in a unique way<\/strong> \u00e2\u20ac\u201c If someone is reviewing a bunch of portfolios at once, they can begin to blend together. You want to catch them off guard and stand out in the crowd. This can be done with unique layouts and original mockups; ensure they are super-realistic, or create your own. Seeing the same, typical mockups on repeat can devalue your work. Think outside of the box; showing your actual work in situ tells a story and shows proof of concept.<\/li>\n\n\n\n
- Always cater your graphic design portfolio to who is receiving it and be mindful of short attention spans<\/strong> \u00e2\u20ac\u201c Put your most relevant and strongest work in the forefront, and try to align your portfolio<\/a> with the job you are pursuing. There is no need to include everything you\u00e2\u20ac\u2122ve ever worked on, just your best work.<\/li>\n\n\n\n
- Create<\/em><\/strong> some work<\/strong> \u00e2\u20ac\u201c As designers, we have the ability to create conceptual work and projects for little to no cost, so, if you don\u00e2\u20ac\u2122t have projects that align with a job you\u00e2\u20ac\u2122re pursuing, create some. This shows that you\u00e2\u20ac\u2122re willing to put in hours of your own time to land better jobs and opportunities.<\/li>\n<\/ul>\n\n\n\n
Alejandro Rodriguez, Senior Designer at Creative Crown NYC<\/a><\/strong><\/p>\n\n\n\n<\/span>3. Help Your Graphic Design Portfolio Stand Out with a Personal Touch<\/span><\/h2>\n\n\n\n<\/figure>\n\n\n\nHere\u00e2\u20ac\u2122s some advice that may catch you by surprise, especially those designers just starting out: Your portfolio<\/a> is actually analogous to your resume.<\/p>\n\n\n\nA Perfect Graphic\u00e2\u20ac\u2122s Chris Flechtner points out that having a letter of introduction to accompany your portfolio<\/a> allows him to be personal with prospects and clients.<\/p>\n\n\n\n\u00e2\u20ac\u0153For a potential employer, I start off with a letter of introduction. I get personal and maybe a little corny by telling of my pre-teenage days and how much I loved art and graphics from a young age.<\/p>\n\n\n\n
For example, I tell about studying the masters like Da Vinci and Michelangelo and my parents\u00e2\u20ac\u2122 patience as I set up a rickety scaffold in my bedroom to paint a fresco on my ceiling. I also include notable things like winning a design contest at the age of 12. I want people to feel like they knew me a little, so I want to be candid and forthcoming, Chris indicated.<\/p>\n\n\n\n
\u00e2\u20ac\u0153As far as showing my art, I try to present myself or my company as professionally as possible. I show samples of as many different styles and applications as possible. I try to avoid showing work that all looks the same. Rather, I display as much diversity as I can because you never know what somebody will like or what they are looking for.<\/p>\n\n\n\n
Chris Flechtner, Director of Operations at A Perfect Graphic<\/a><\/strong><\/p>\n\n\n\n<\/span>4. Understand What You Specialize in and Communicate That Well<\/span><\/h2>\n\n\n\nWhen your prospects and future clients are evaluating your graphic design portfolio, they are trying to figure out what your specialty is. After all, any designer can be a jack of all trades and a master of none. That\u00e2\u20ac\u2122s why this differentiation is so crucial, as Kgrafix\u00e2\u20ac\u2122s Kim Jones points out.<\/p>\n\n\n\n
<\/span><\/a>Example headline<\/span><\/h5>\n\n\n\n\u00e2\u20ac\u0153I think it\u00e2\u20ac\u2122s important to understand the services or those things that you specialize in as a graphic designer, as you build your portfolio. If you specialize in packaging design<\/a>, it\u00e2\u20ac\u2122s important to show work that you\u00e2\u20ac\u2122ve done for customers showing your packaging design, Kim said.<\/p>\n\n\n\n\u00e2\u20ac\u0153I offer a variety of services and consider my business a one-stop shop. I have a background in printing, so it\u00e2\u20ac\u2122s important that my portfolio shows work from graphic design to the final printed piece. Showing pieces that have been printed on a variety of substrates from postcards and manufacturing products to signs and tradeshow booths emphasizes that my business offers services from graphic design<\/a> to the printed piece.<\/p>\n\n\n\nAnd let\u00e2\u20ac\u2122s also not forget the usefulness of showing your work the way that your client and the public will see it.<\/p>\n\n\n\n
\u00e2\u20ac\u0153I think it\u00e2\u20ac\u2122s also important to show a variety of your graphic design work in its true form. Many graphic designers today have been trained strictly on a computer screen, never really seeing their work in its final state. If you have an opportunity to get samples of final printed work, do so and include it in your portfolio, Kim continued.<\/p>\n\n\n\n
Kim Jones, Graphic Designer and Owner at Kgrafix<\/a><\/strong><\/p>\n\n\n\n<\/span>5. Broaden Your Concept of What Portfolio Design Can Be<\/strong><\/span><\/h2>\n\n\n\n<\/figure>\n\n\n\nIt\u00e2\u20ac\u2122s helpful to think of your design portfolio<\/a> as something more than just a visual work that you show prospects and clients. Think about the effect<\/em> your portfolio has on them and how its elements impact the types of projects you win and the work you end up doing.<\/p>\n\n\n\nTo that end, Elise Grinstead of Elisign Design recommends the following, four points to land more clients:<\/p>\n\n\n\n
Showcase work that solves real-life problems and challenges:<\/strong> While you may produce beautiful and creative design products, the client needs to see that you are able to understand a communication challenge and how to apply graphic design to it to most effectively carry the intended message, action, or effect. Good design is about more than just creating “beautiful” or “cool” results. An effective way to do this is to write descriptions with your work that break up the project into:<\/p>\n\n\n\n\n- Background<\/li>\n\n\n\n
- Client\/Industry<\/li>\n\n\n\n
- Targeted Audience<\/li>\n\n\n\n
- Communication Challenge\/Problem that was addressed<\/li>\n\n\n\n
- Strategies used in design solution<\/li>\n\n\n\n
- Mediums used<\/li>\n<\/ul>\n\n\n\n
If you do not have relevant client work that fits this, do a hypothetical work using a real-life company and example (and be sure to mention in your portfolio that it is only hypothetical!).<\/p>\n\n\n\n
Showcase work that demonstrates the best of your abilities:<\/strong> The best graphic design portfolio examples are like highlight reels, showing off the very best of that designer’s abilities. So, don\u2019t put every project you\u2019ve ever designed into your portfolio. Curate it to only show the best of your work.<\/p>\n\n\n\nConsider curating your portfolio to match the industry you want to work in:<\/strong> If you want to be in book design, show long-form typographic pieces, and creative imagery concepts that could carry over to cover art or, better yet, an actual book product. Don\u2019t make prospective clients or employers think too hard about if or how you could be a good fit for them\u2013show them right away.<\/p>\n\n\n\nPro tip: <\/strong>While you may have a graphic design portfolio online, consider creating separate PDF portfolio files that are customized for the job you are seeking, along with a cover page that lists the prospective client\/employer’s name with yours. Curate the work relevant to them. This shows your insight into what they are looking for and the time you\u2019ve spent carefully considering the match you could be for them, instead of sending them your portfolio website URL like everyone else does!<\/p>\n\n\n\nYour portfolio is an extension of your own visual branding:<\/strong> If you struggle with web design and cannot design your graphic design portfolio website well and just put the content of projects in, it does not show that you will steward a future project or client well. Remember to present the full visual package of who you are\u00e2\u20ac\u201dthis is a bonus of being a graphic designer<\/a>! Make your graphic design portfolio a cohesive design piece, not just the pieces within. <\/p>\n\n\n\nElise Grinstead, Graphic Designer and Founder at Elisign Design<\/a><\/strong><\/p>\n\n\n\n<\/span>6. Don’t Be Shy About Showing Off Your Best Clients<\/span><\/h2>\n\n\n\nThe whole point of your graphic design folder<\/a> is to impress potential clients. Impress them, and your chances of being hired drastically go up. One of the surest ways of doing this is by using the concept of social proof\u00e2\u20ac\u201das in using your connection with recognizable brands you\u00e2\u20ac\u2122ve worked with in the past to tell your prospects that you\u00e2\u20ac\u2122re in demand and trusted by important clients.
That\u00e2\u20ac\u2122s how SullivanPerkins\u00e2\u20ac\u2122 Mark Perkins, founder of one of the country\u00e2\u20ac\u2122s leading creative service firms, sees it.
\u00e2\u20ac\u0153If the purpose is to attract more clients, then you want to show work from the verticals (healthcare, manufacturing, real estate, whatever) that you hope to attract, and you also want to show the most recognizable client names, Mark stated.
In essence, if you\u00e2\u20ac\u2122ve worked with more well-known clients, then, by all means, let them take center stage in your graphic design dossier.
\u00e2\u20ac\u0153There\u00e2\u20ac\u2122s no real need to show that innovative, pro-bono work for the experimental theater company or the fabulous posters volunteered for the local graphic arts club that got in every award show. The pharmaceutical client is going to be far more interested in your pedestrian packaging for Pfizer than in the clever, pro-bono logo for the local animal shelter.<\/p>\n\n\n\nMark Perkins, President & CEO at SullivanPerkins<\/a><\/strong><\/p>\n\n\n\n<\/span>7. Always Have a Multi-Pronged Approach to Your Graphic Designer Portfolio<\/span><\/h2>\n\n\n\nYou never want to put all your eggs in the same basket, and so it is, too, with your design folder. Use creativity when thinking about how to present your graphic design portfolios to prospects; after all, your penchant for being creative shouldn\u00e2\u20ac\u2122t be limited to just your projects.<\/p>\n\n\n\n
According to Tribu\u00e2\u20ac\u2122s graphic designer<\/a>, Stefan Barber, the following checklist is critical for any designer who wants to put their best design foot forward:<\/p>\n\n\n\n\n- We love to see work that extends past a single print ad. How can you accomplish the same thing in 15 different ways? Use email, social (all platforms), and various other digital media.<\/li>\n\n\n\n
- How successful was the work? In a quick writeup, tell the reviewer why the work is\/was important.<\/li>\n\n\n\n
- Variation in style. You can do graffiti art<\/a>, but how does your corporate portfolio look?<\/li>\n\n\n\n
- If the graphic design portfolio is limited because you’re a young designer, make something up. Do a mock campaign\/branding effort. The world is your oyster.<\/li>\n\n\n\n
- The amount of pieces you should include varies. If you flesh out three, badass campaigns, you’re set. We’re all fighting against the clock, so less is more (considerate). If you are showing branding, the same applies: E x t e n d the brand.<\/li>\n\n\n\n
- Turn to your friends. If you’re worried about what to put in a graphic design portfolio, show your friends your portfolio, but act like it’s someone else’s. They’ll give more honest feedback.<\/li>\n<\/ul>\n\n\n\n
Stefan Barber, Graphic Designer at <\/strong>Tribu<\/strong><\/a><\/p>\n\n\n\n<\/span>8. Get Better Results by Implementing This Three-Step Sequence<\/span><\/h2>\n\n\n\nIt seems like doing things in a cadence of three is popular with more than one of the experts we reached out to! These three action items are designed to reduce the friction for graphic designers who want to create a strong graphic design portfolio that\u00e2\u20ac\u2122ll attract more leads and actual work.<\/p>\n\n\n\n
Jansy\u00e2\u20ac\u2122s senior graphic designer, Matt Keefer, swears by these three steps.<\/p>\n\n\n\n
\u00e2\u20ac\u0153First things first: Determine what kind of career path you see yourself going down as a graphic designer. Your career could take you in the direction of a print designer, web designer<\/a>, UX\/UI designer, illustrator, animator\/motion designer, film\/video editor, and so on. It\u00e2\u20ac\u2122s important that your pieces of work within your portfolio visually reflect and communicate exactly what career path you are trying to aim for, Matt explained.<\/p>\n\n\n\n\u00e2\u20ac\u0153Second, limit the number of pieces within your portfolio and keep it compelling. Ideally speaking, you want to show anywhere from seven to 10 pieces of your BEST work within a portfolio. Whether you\u00e2\u20ac\u2122re sending this off to a potential employer or potential client, they will need to get an immediate impression of your work. A portfolio that is too long or drawn out can lose the viewers\u00e2\u20ac\u2122 attention or simply get lost amongst the rest, Matt continued.<\/p>\n\n\n\n
\u00e2\u20ac\u0153Finally, provide insight into your design process and how you got to your design solution. No matter what field you\u00e2\u20ac\u2122re in, design is all about solving an issue and providing a thoughtful solution. Each one of your portfolio pieces needs to provide a short brief about the assignment, \u00e2\u20ac\u02dcThe Challenge,\u00e2\u20ac\u2122 and then explain how you got to your design solution, \u00e2\u20ac\u02dcThe Execution.\u00e2\u20ac\u2122 This helps provide further insight to your design process and how you problem-solve as a graphic designer<\/a>.<\/p>\n\n\n\nMatt Keefer, Senior Graphic Designer at Jansy<\/a><\/strong><\/p>\n\n\n\n<\/span>9. Evolve the Contents of Your Graphic Design Portfolio<\/span><\/h2>\n\n\n\n<\/figure>\n\n\n\nOne thing you’ll notice about every great graphic design portfolio example is that they feel like living, breathing entities. The best graphic design portfolios should never be static; they should always contain samples of your work that show your evolution<\/a> as a creative.<\/p>\n\n\n\nMovement and change are always healthy, constructive concepts in life. Apply them to your portfolio to show your leads that you have what it takes to grow. headTrix\u00e2\u20ac\u2122s Mark Itskowitch realizes that this is also a core aspect of marketing, which your portfolio supports.<\/p>\n\n\n\n
“When it comes time to creating a portfolio, you want to share your best work. If you are just starting out, you can post school projects, personal projects, etc., to show off what you can do. Then, as you get more work and create more projects, it’s important to constantly update your portfolio and put a variety of your best work forward, Mark said.<\/p>\n\n\n\n
\u00e2\u20ac\u0153You can focus on the kind of work you are looking to do more of or, if you have a variety of skills, I think it’s great to share a diverse set of skills which can make you more marketable and enable you to pick up a wider variety of clients and work.<\/p>\n\n\n\n
Mark Itskowitch, Creative Director and Principal at <\/strong>headTrix<\/strong><\/a><\/p>\n\n\n\n<\/span>10. Build a Portfolio Around Range and Concept<\/span><\/h2>\n\n\n\nShowcasing your range as a designer, along with your grasp of concept, is just as important as the actual samples of work inside your folder. Use your samples to demonstrate this range and grasp of concept that clients and employers will want to see.<\/p>\n\n\n\n
Scout Driscoll, from DesignScout, bases this advice on her agency\u00e2\u20ac\u2122s own criteria when it comes to evaluating new hires.<\/p>\n\n\n\n
We look for a portfolio that shows a designer\u00e2\u20ac\u2122s range and for designers who demonstrate that they can nimbly jump from one style to the next, putting the brand<\/a> voice and strategy before trend or personal style. In any given day, our troop jumps from an international, wine label design to a legacy-driven, architecture firm re-brand to an active lifestyle-inspired, fast casual concept. Make sure that each project in your book speaks to your range to attract studios with a wide variety of clientele, Scout advised.<\/p>\n\n\n\nThen, there\u00e2\u20ac\u2122s the concept behind your design samples. How you think and relate to your audience should be visible in your graphic design portfolio, too.<\/p>\n\n\n\n
\u00e2\u20ac\u0153Consumers read design faster than words. What is your design saying? When you present your portfolio, be sure to highlight the strategy behind your work, Scout continued. \u00e2\u20ac\u0153Demonstrate how that strategy was used for each design you present. It\u00e2\u20ac\u2122s not enough for your design to be beautiful, edgy, or on trend<\/a>. It has to say something specific to the end user about what makes the product or brand different and better. How you think is just as important as pixel-perfect design.<\/p>\n\n\n\nScout Driscoll, Founder and CEO at DesignScout<\/a>.<\/strong><\/p>\n\n\n\n<\/span>11. Study Your Audience Like a Hawk<\/span><\/h2>\n\n\n\n<\/figure>\n\n\n\nRemember that your graphic design portfolio is a marketing<\/a> tool\u00e2\u20ac\u201dyou\u00e2\u20ac\u2122re marketing yourself as the best designer for the project. One of the most vital rules of marketing is understanding what your target audience needs and then positioning yourself as the designer with the best value proposition for said needs.<\/p>\n\n\n\nThis actionable tip is less about what to fill your portfolio with, as it is about researching the clients you want to work with.<\/p>\n\n\n\n
903 Creative\u00e2\u20ac\u2122s Aaron Gibson expands on this idea.<\/p>\n\n\n\n
\u00e2\u20ac\u0153If your portfolio is being shown to a specific studio or client, curate the included pieces to reflect their unique services, styles, or needs. This will illustrate that you are equipped to solve the unique design challenges they face. If interviewing with a design studio, do your homework. Study their portfolio to see which of your pieces will best complement and enhance their body of work, Aaron said.<\/p>\n\n\n\n
\u00e2\u20ac\u0153At the same time, look for opportunities to showcase a unique skill or style that you can bring to the table. Photography<\/a>, illustration, copywriting, and lettering are only a handful of ancillary design skills that can increase a candidate\u00e2\u20ac\u2122s value to a potential employer or client. Consider which elements of your portfolio and skillset make you the best fit to the person viewing your work, and tailor your presentation accordingly.<\/p>\n\n\n\nAaron Gibson, Designer and Partner at 903 Creative<\/a><\/strong><\/p>\n\n\n\n<\/span>12. Keep up With Design Trends<\/span><\/h2>\n\n\n\nIt\u00e2\u20ac\u2122s important to showcase diverse views, so here\u00e2\u20ac\u2122s a bit of insight that may be controversial to some. Keep up with design trends<\/a>, not to show that you\u00e2\u20ac\u2122re into fads, but to show your prospective clients that you\u00e2\u20ac\u2122re always working and understand the latest developments in your industry.<\/p>\n\n\n\nArctic Lynx Media & Design\u00e2\u20ac\u2122s Cesar Jaramillo believes that using your portfolio so demonstrate your understanding of different trends is key to getting clients.<\/p>\n\n\n\n
\u00e2\u20ac\u0153The main key to attracting clients is in the process of keeping up to date with design trends. As you are building your portfolio for clients to see your work, it’s important to understand how design has been evolving over the past years. I’ve always favored clean and simple designs that hit right to the point of execution, Cesar stated.<\/p>\n\n\n\n
This tip ties into client education: The more trends you have in your folder to show clients, the more you show your capacity.<\/p>\n\n\n\n
\u00e2\u20ac\u0153Composing your portfolio with a variety of your work is going to give others who view it a more in-depth idea of what you’re capable of. Anywhere between 15 to 20 pieces will suffice.<\/p>\n\n\n\n
Cesar Jaramillo, Graphic Designer and Founder at Arctic Lynx Media & Design<\/a><\/strong><\/p>\n\n\n\n<\/span>13. Be Selective and Put Your Work in Context<\/span><\/h2>\n\n\n\nThis interrelated strategy comes down to how your prospective clients see<\/em> you when you apply for work. Cr\u00c3\u00a8me Brands\u00e2\u20ac\u2122 Kathryn Joachim suggests that paying attention to how your graphic design portfolio comes across to your clients is key to winning projects.<\/p>\n\n\n\n\u00e2\u20ac\u0153People will assume you are only capable of the type of work they\u00e2\u20ac\u2122ve already seen from you. This may mean that you only show parts of a project that stylistically align with where you want to take your aesthetic. This may mean you need to do some case study projects, where you rebrand or re-wireframe an existing company in the niche you want to pursue. Be selective. This means you will have work you\u00e2\u20ac\u2122ve done that\u00e2\u20ac\u2122s incredible \u00e2\u20ac\u201d but doesn\u00e2\u20ac\u2122t align with where you are taking your business, Kathryn revealed.<\/p>\n\n\n\n
Context changes how your clients perceive your work, too. The many templates<\/a> we have here at Creative Market can certainly help with that.<\/p>\n\n\n\n\u00e2\u20ac\u0153My second piece of advice would be to show your work in context. Make sure you\u00e2\u20ac\u2122re showing the full experience of the design you\u00e2\u20ac\u2122re delivering. Mock up the logo on real products and storefronts \u00e2\u20ac\u201d wherever you\u00e2\u20ac\u2122d ideally see it exist! For years, we have hired a photographer and stylist to create flatlays for our portfolio and clients to show off their new brand and site design. Now, with sites like Creative Market growing in their offerings, there are more high-quality templates and mockups than ever that you have available to you to create a realistic backdrop for your creations.<\/p>\n\n\n\n
Kathryn Joachim, Brand Strategist and Owner at Cr\u00c3\u00a8me Brands<\/a><\/strong><\/p>\n\n\n\n<\/span>14. Represent Yourself Honestly<\/span><\/h2>\n\n\n\n<\/figure>\n\n\n\nHonesty is still the best policy.<\/p>\n\n\n\n
Hokey sayings aside, being honest in how you present yourself through your graphic design portfolio establishes your credibility with a prospective employer or client. It\u00e2\u20ac\u2122s actually one of the 10 traits of highly sought-after designers<\/a>.<\/p>\n\n\n\nIt\u00e2\u20ac\u2122s a mistake to do otherwise, says Cody Tilson of Leviathan.<\/p>\n\n\n\n
\u00e2\u20ac\u0153The projects we work on are complicated and require collaboration every step of the way. Be honest and forthcoming about your involvement in every project\u00e2\u20ac\u201dno one is going to expect that you work in a vacuum. There is nothing wrong with clearly outlining your role in creating something bigger than yourself; we’ll respect you more for doing so, Cody stressed.<\/p>\n\n\n\n
Cody Tilson, Creative Director at Leviathan<\/a><\/strong><\/p>\n\n\n\n<\/span>15. Tailor Your Graphic Design Portfolio Website to the User Experience<\/span><\/h2>\n\n\n\n<\/figure>\n\n\n\nIn all likelihood, your graphic design portfolio lives online, whether as your personal website or a dedicated portfolio page. As such, it’s imperative that you ensure a one-of-a-kind user experience<\/a> for your client or potential employer who lands on your site. That means working hard on web design to ensure that users can navigate and understand your portfolio website with ease.<\/p>\n\n\n\nAaron Sanfillippo from Two by Four gives us the lowdown.<\/p>\n\n\n\n
\u00e2\u20ac\u0153Your portfolio\u00e2\u20ac\u2122s design should be simple to navigate and straightforward enough to easily understand. If your portfolio\u00e2\u20ac\u2122s layout or content is somehow distracting, it\u00e2\u20ac\u2122ll likely lead to someone leaving your website. Don\u00e2\u20ac\u2122t clutter your site with unnecessary content and fluff. Someone is looking at your portfolio because they want to see your work and understand a little bit about who you are as an individual (or team). The best portfolios are able to showcase these two simultaneously, not separately. What do you want someone to be able to take away from your site? What impression do you want to leave them with? Find out what that is, and cater your portfolio\u00e2\u20ac\u2122s viewing\/reading experience based off your answer.<\/p>\n\n\n\n
Today\u00e2\u20ac\u2122s UX also means mobile<\/a>, more than anything else.<\/p>\n\n\n\n\u00e2\u20ac\u0153In today\u00e2\u20ac\u2122s world, your portfolio needs to be digestible on a phone screen. You don\u00e2\u20ac\u2122t get to choose when or how potential clients look at your portfolio, so you need to keep in mind all viewing possibilities\u00e2\u20ac\u201dan even better reason to keep your portfolio simple and straightforward, Aaron conveyed.<\/p>\n\n\n\n
Finally, your graphic design portfolio needs to compel<\/em> your leads to take action\u00e2\u20ac\u201dwhich means getting in touch with you.<\/p>\n\n\n\n\u00e2\u20ac\u0153Want someone to reach out to you for work? Want to learn how you can help them and their business? Make that clear. Find a dedicated spot on your website for a direct call-to-action and simple ways for someone to communicate with you, like an email address and\/or phone number. Don\u00e2\u20ac\u2122t make someone work to find this information. Avoid a project form asking clients for their project\u00e2\u20ac\u2122s budget, what type of project they\u00e2\u20ac\u2122re reaching out about, etc. \u00e2\u20ac\u201d that can all come later in the process. People want to talk to people\u00e2\u20ac\u201dnot forms. This is your opportunity to make a personal first impression with a potential client, so make it count.<\/p>\n\n\n\n
Aaron Sanfillippo, Design Director at Two by Four<\/a><\/strong><\/p>\n\n\n\n<\/span>16. Put Your Unique Value Proposition on Full Display<\/span><\/h2>\n\n\n\nYour unique value proposition (UVP) should be top of your mind when compiling your graphic design<\/a> portfolio. Your leads need to come away with knowing what you do better than all the other designers around you, who are vying for the same project or position.<\/p>\n\n\n\n\n\nShook Kelley\u00e2\u20ac\u2122s Sabrina Fan recommends that graphic designers differentiate themselves by highlighting the value they bring.<\/p>\n\n\n\n
\u00e2\u20ac\u0153Feature the thought process and rationale behind projects, to help prospective clients see the value you offer beyond aesthetics. On-trend and turnkey aesthetics are easy to buy online nowadays. The real value of hiring a professional graphic designer<\/a> is in how design can be used to address, enhance, or solve their specific business objectives and challenges.<\/p>\n\n\n\nBe seen as a guide who can lead businesses to solutions they wouldn\u00e2\u20ac\u2122t have thought of independently.<\/p>\n\n\n\n
Show the success of the work. Bring prospective clients full circle in understanding how projects impacted clients you worked with before. Frame successes around client objectives rather than design objectives, which they may not understand or care about, Sabrina said.<\/p>\n\n\n\n
<\/figure>\n\n\n\nKnowing how your prospects and clients think goes a long way toward getting the new projects that you\u00e2\u20ac\u2122re really interested in. Take that into consideration when assembling the elements of your graphic design portfolio<\/a>, reveals JUST Creative\u00e2\u20ac\u2122s Jacob Cass. \u00e2\u20ac\u0153What you put in your portfolio is what you will get hired for, so ensure what’s in there is the work you’re actually wanting to do, Jacob said.<\/p>\n\n\n\n At the end of the day, having something which to call your niche is what matters. \u00e2\u20ac\u0153For example, if you wanted to work on branding projects, a focus on logos and identity would be more beneficial than featuring a mixed bag of websites, packaging, and identity. Having a niche and specialization greatly improves your chances of being hired.<\/p>\n\n\n\n Some designer professionals believe in a trifecta of must-haves when deciding on whether to hire a graphic designer or not. Therefore, it\u00e2\u20ac\u2122s a good idea to consider having these three elements as part of your broader<\/em> graphic design portfolio. Crown Creative NYC\u00e2\u20ac\u2122s Alejandro Rodriguez explains.<\/p>\n\n\n\n \u00e2\u20ac\u0153When we review a potential design candidate, we want to see the trifecta: their website, their portfolio, and their Instagram<\/a>. If you\u00e2\u20ac\u2122re not posting your work on Instagram, then you should be, Alejandro said. Alejandro Rodriguez, Senior Designer at Creative Crown NYC<\/a><\/strong><\/p>\n\n\n\n Here\u00e2\u20ac\u2122s some advice that may catch you by surprise, especially those designers just starting out: Your portfolio<\/a> is actually analogous to your resume.<\/p>\n\n\n\n A Perfect Graphic\u00e2\u20ac\u2122s Chris Flechtner points out that having a letter of introduction to accompany your portfolio<\/a> allows him to be personal with prospects and clients.<\/p>\n\n\n\n \u00e2\u20ac\u0153For a potential employer, I start off with a letter of introduction. I get personal and maybe a little corny by telling of my pre-teenage days and how much I loved art and graphics from a young age.<\/p>\n\n\n\n For example, I tell about studying the masters like Da Vinci and Michelangelo and my parents\u00e2\u20ac\u2122 patience as I set up a rickety scaffold in my bedroom to paint a fresco on my ceiling. I also include notable things like winning a design contest at the age of 12. I want people to feel like they knew me a little, so I want to be candid and forthcoming, Chris indicated.<\/p>\n\n\n\n \u00e2\u20ac\u0153As far as showing my art, I try to present myself or my company as professionally as possible. I show samples of as many different styles and applications as possible. I try to avoid showing work that all looks the same. Rather, I display as much diversity as I can because you never know what somebody will like or what they are looking for.<\/p>\n\n\n\n Chris Flechtner, Director of Operations at A Perfect Graphic<\/a><\/strong><\/p>\n\n\n\n When your prospects and future clients are evaluating your graphic design portfolio, they are trying to figure out what your specialty is. After all, any designer can be a jack of all trades and a master of none. That\u00e2\u20ac\u2122s why this differentiation is so crucial, as Kgrafix\u00e2\u20ac\u2122s Kim Jones points out.<\/p>\n\n\n\n \u00e2\u20ac\u0153I think it\u00e2\u20ac\u2122s important to understand the services or those things that you specialize in as a graphic designer, as you build your portfolio. If you specialize in packaging design<\/a>, it\u00e2\u20ac\u2122s important to show work that you\u00e2\u20ac\u2122ve done for customers showing your packaging design, Kim said.<\/p>\n\n\n\n \u00e2\u20ac\u0153I offer a variety of services and consider my business a one-stop shop. I have a background in printing, so it\u00e2\u20ac\u2122s important that my portfolio shows work from graphic design to the final printed piece. Showing pieces that have been printed on a variety of substrates from postcards and manufacturing products to signs and tradeshow booths emphasizes that my business offers services from graphic design<\/a> to the printed piece.<\/p>\n\n\n\n And let\u00e2\u20ac\u2122s also not forget the usefulness of showing your work the way that your client and the public will see it.<\/p>\n\n\n\n \u00e2\u20ac\u0153I think it\u00e2\u20ac\u2122s also important to show a variety of your graphic design work in its true form. Many graphic designers today have been trained strictly on a computer screen, never really seeing their work in its final state. If you have an opportunity to get samples of final printed work, do so and include it in your portfolio, Kim continued.<\/p>\n\n\n\n Kim Jones, Graphic Designer and Owner at Kgrafix<\/a><\/strong><\/p>\n\n\n\n It\u00e2\u20ac\u2122s helpful to think of your design portfolio<\/a> as something more than just a visual work that you show prospects and clients. Think about the effect<\/em> your portfolio has on them and how its elements impact the types of projects you win and the work you end up doing.<\/p>\n\n\n\n To that end, Elise Grinstead of Elisign Design recommends the following, four points to land more clients:<\/p>\n\n\n\n Showcase work that solves real-life problems and challenges:<\/strong> While you may produce beautiful and creative design products, the client needs to see that you are able to understand a communication challenge and how to apply graphic design to it to most effectively carry the intended message, action, or effect. Good design is about more than just creating “beautiful” or “cool” results. An effective way to do this is to write descriptions with your work that break up the project into:<\/p>\n\n\n\n If you do not have relevant client work that fits this, do a hypothetical work using a real-life company and example (and be sure to mention in your portfolio that it is only hypothetical!).<\/p>\n\n\n\n Showcase work that demonstrates the best of your abilities:<\/strong> The best graphic design portfolio examples are like highlight reels, showing off the very best of that designer’s abilities. So, don\u2019t put every project you\u2019ve ever designed into your portfolio. Curate it to only show the best of your work.<\/p>\n\n\n\n Consider curating your portfolio to match the industry you want to work in:<\/strong> If you want to be in book design, show long-form typographic pieces, and creative imagery concepts that could carry over to cover art or, better yet, an actual book product. Don\u2019t make prospective clients or employers think too hard about if or how you could be a good fit for them\u2013show them right away.<\/p>\n\n\n\n Pro tip: <\/strong>While you may have a graphic design portfolio online, consider creating separate PDF portfolio files that are customized for the job you are seeking, along with a cover page that lists the prospective client\/employer’s name with yours. Curate the work relevant to them. This shows your insight into what they are looking for and the time you\u2019ve spent carefully considering the match you could be for them, instead of sending them your portfolio website URL like everyone else does!<\/p>\n\n\n\n Your portfolio is an extension of your own visual branding:<\/strong> If you struggle with web design and cannot design your graphic design portfolio website well and just put the content of projects in, it does not show that you will steward a future project or client well. Remember to present the full visual package of who you are\u00e2\u20ac\u201dthis is a bonus of being a graphic designer<\/a>! Make your graphic design portfolio a cohesive design piece, not just the pieces within. <\/p>\n\n\n\n Elise Grinstead, Graphic Designer and Founder at Elisign Design<\/a><\/strong><\/p>\n\n\n\n The whole point of your graphic design folder<\/a> is to impress potential clients. Impress them, and your chances of being hired drastically go up. One of the surest ways of doing this is by using the concept of social proof\u00e2\u20ac\u201das in using your connection with recognizable brands you\u00e2\u20ac\u2122ve worked with in the past to tell your prospects that you\u00e2\u20ac\u2122re in demand and trusted by important clients. Mark Perkins, President & CEO at SullivanPerkins<\/a><\/strong><\/p>\n\n\n\n You never want to put all your eggs in the same basket, and so it is, too, with your design folder. Use creativity when thinking about how to present your graphic design portfolios to prospects; after all, your penchant for being creative shouldn\u00e2\u20ac\u2122t be limited to just your projects.<\/p>\n\n\n\n According to Tribu\u00e2\u20ac\u2122s graphic designer<\/a>, Stefan Barber, the following checklist is critical for any designer who wants to put their best design foot forward:<\/p>\n\n\n\n Stefan Barber, Graphic Designer at <\/strong>Tribu<\/strong><\/a><\/p>\n\n\n\n It seems like doing things in a cadence of three is popular with more than one of the experts we reached out to! These three action items are designed to reduce the friction for graphic designers who want to create a strong graphic design portfolio that\u00e2\u20ac\u2122ll attract more leads and actual work.<\/p>\n\n\n\n Jansy\u00e2\u20ac\u2122s senior graphic designer, Matt Keefer, swears by these three steps.<\/p>\n\n\n\n \u00e2\u20ac\u0153First things first: Determine what kind of career path you see yourself going down as a graphic designer. Your career could take you in the direction of a print designer, web designer<\/a>, UX\/UI designer, illustrator, animator\/motion designer, film\/video editor, and so on. It\u00e2\u20ac\u2122s important that your pieces of work within your portfolio visually reflect and communicate exactly what career path you are trying to aim for, Matt explained.<\/p>\n\n\n\n \u00e2\u20ac\u0153Second, limit the number of pieces within your portfolio and keep it compelling. Ideally speaking, you want to show anywhere from seven to 10 pieces of your BEST work within a portfolio. Whether you\u00e2\u20ac\u2122re sending this off to a potential employer or potential client, they will need to get an immediate impression of your work. A portfolio that is too long or drawn out can lose the viewers\u00e2\u20ac\u2122 attention or simply get lost amongst the rest, Matt continued.<\/p>\n\n\n\n \u00e2\u20ac\u0153Finally, provide insight into your design process and how you got to your design solution. No matter what field you\u00e2\u20ac\u2122re in, design is all about solving an issue and providing a thoughtful solution. Each one of your portfolio pieces needs to provide a short brief about the assignment, \u00e2\u20ac\u02dcThe Challenge,\u00e2\u20ac\u2122 and then explain how you got to your design solution, \u00e2\u20ac\u02dcThe Execution.\u00e2\u20ac\u2122 This helps provide further insight to your design process and how you problem-solve as a graphic designer<\/a>.<\/p>\n\n\n\n Matt Keefer, Senior Graphic Designer at Jansy<\/a><\/strong><\/p>\n\n\n\n One thing you’ll notice about every great graphic design portfolio example is that they feel like living, breathing entities. The best graphic design portfolios should never be static; they should always contain samples of your work that show your evolution<\/a> as a creative.<\/p>\n\n\n\n Movement and change are always healthy, constructive concepts in life. Apply them to your portfolio to show your leads that you have what it takes to grow. headTrix\u00e2\u20ac\u2122s Mark Itskowitch realizes that this is also a core aspect of marketing, which your portfolio supports.<\/p>\n\n\n\n “When it comes time to creating a portfolio, you want to share your best work. If you are just starting out, you can post school projects, personal projects, etc., to show off what you can do. Then, as you get more work and create more projects, it’s important to constantly update your portfolio and put a variety of your best work forward, Mark said.<\/p>\n\n\n\n \u00e2\u20ac\u0153You can focus on the kind of work you are looking to do more of or, if you have a variety of skills, I think it’s great to share a diverse set of skills which can make you more marketable and enable you to pick up a wider variety of clients and work.<\/p>\n\n\n\n Mark Itskowitch, Creative Director and Principal at <\/strong>headTrix<\/strong><\/a><\/p>\n\n\n\n Showcasing your range as a designer, along with your grasp of concept, is just as important as the actual samples of work inside your folder. Use your samples to demonstrate this range and grasp of concept that clients and employers will want to see.<\/p>\n\n\n\n Scout Driscoll, from DesignScout, bases this advice on her agency\u00e2\u20ac\u2122s own criteria when it comes to evaluating new hires.<\/p>\n\n\n\n We look for a portfolio that shows a designer\u00e2\u20ac\u2122s range and for designers who demonstrate that they can nimbly jump from one style to the next, putting the brand<\/a> voice and strategy before trend or personal style. In any given day, our troop jumps from an international, wine label design to a legacy-driven, architecture firm re-brand to an active lifestyle-inspired, fast casual concept. Make sure that each project in your book speaks to your range to attract studios with a wide variety of clientele, Scout advised.<\/p>\n\n\n\n Then, there\u00e2\u20ac\u2122s the concept behind your design samples. How you think and relate to your audience should be visible in your graphic design portfolio, too.<\/p>\n\n\n\n \u00e2\u20ac\u0153Consumers read design faster than words. What is your design saying? When you present your portfolio, be sure to highlight the strategy behind your work, Scout continued. \u00e2\u20ac\u0153Demonstrate how that strategy was used for each design you present. It\u00e2\u20ac\u2122s not enough for your design to be beautiful, edgy, or on trend<\/a>. It has to say something specific to the end user about what makes the product or brand different and better. How you think is just as important as pixel-perfect design.<\/p>\n\n\n\n Scout Driscoll, Founder and CEO at DesignScout<\/a>.<\/strong><\/p>\n\n\n\n Remember that your graphic design portfolio is a marketing<\/a> tool\u00e2\u20ac\u201dyou\u00e2\u20ac\u2122re marketing yourself as the best designer for the project. One of the most vital rules of marketing is understanding what your target audience needs and then positioning yourself as the designer with the best value proposition for said needs.<\/p>\n\n\n\n This actionable tip is less about what to fill your portfolio with, as it is about researching the clients you want to work with.<\/p>\n\n\n\n 903 Creative\u00e2\u20ac\u2122s Aaron Gibson expands on this idea.<\/p>\n\n\n\n \u00e2\u20ac\u0153If your portfolio is being shown to a specific studio or client, curate the included pieces to reflect their unique services, styles, or needs. This will illustrate that you are equipped to solve the unique design challenges they face. If interviewing with a design studio, do your homework. Study their portfolio to see which of your pieces will best complement and enhance their body of work, Aaron said.<\/p>\n\n\n\n \u00e2\u20ac\u0153At the same time, look for opportunities to showcase a unique skill or style that you can bring to the table. Photography<\/a>, illustration, copywriting, and lettering are only a handful of ancillary design skills that can increase a candidate\u00e2\u20ac\u2122s value to a potential employer or client. Consider which elements of your portfolio and skillset make you the best fit to the person viewing your work, and tailor your presentation accordingly.<\/p>\n\n\n\n Aaron Gibson, Designer and Partner at 903 Creative<\/a><\/strong><\/p>\n\n\n\n It\u00e2\u20ac\u2122s important to showcase diverse views, so here\u00e2\u20ac\u2122s a bit of insight that may be controversial to some. Keep up with design trends<\/a>, not to show that you\u00e2\u20ac\u2122re into fads, but to show your prospective clients that you\u00e2\u20ac\u2122re always working and understand the latest developments in your industry.<\/p>\n\n\n\n Arctic Lynx Media & Design\u00e2\u20ac\u2122s Cesar Jaramillo believes that using your portfolio so demonstrate your understanding of different trends is key to getting clients.<\/p>\n\n\n\n \u00e2\u20ac\u0153The main key to attracting clients is in the process of keeping up to date with design trends. As you are building your portfolio for clients to see your work, it’s important to understand how design has been evolving over the past years. I’ve always favored clean and simple designs that hit right to the point of execution, Cesar stated.<\/p>\n\n\n\n This tip ties into client education: The more trends you have in your folder to show clients, the more you show your capacity.<\/p>\n\n\n\n \u00e2\u20ac\u0153Composing your portfolio with a variety of your work is going to give others who view it a more in-depth idea of what you’re capable of. Anywhere between 15 to 20 pieces will suffice.<\/p>\n\n\n\n Cesar Jaramillo, Graphic Designer and Founder at Arctic Lynx Media & Design<\/a><\/strong><\/p>\n\n\n\n This interrelated strategy comes down to how your prospective clients see<\/em> you when you apply for work. Cr\u00c3\u00a8me Brands\u00e2\u20ac\u2122 Kathryn Joachim suggests that paying attention to how your graphic design portfolio comes across to your clients is key to winning projects.<\/p>\n\n\n\n \u00e2\u20ac\u0153People will assume you are only capable of the type of work they\u00e2\u20ac\u2122ve already seen from you. This may mean that you only show parts of a project that stylistically align with where you want to take your aesthetic. This may mean you need to do some case study projects, where you rebrand or re-wireframe an existing company in the niche you want to pursue. Be selective. This means you will have work you\u00e2\u20ac\u2122ve done that\u00e2\u20ac\u2122s incredible \u00e2\u20ac\u201d but doesn\u00e2\u20ac\u2122t align with where you are taking your business, Kathryn revealed.<\/p>\n\n\n\n Context changes how your clients perceive your work, too. The many templates<\/a> we have here at Creative Market can certainly help with that.<\/p>\n\n\n\n \u00e2\u20ac\u0153My second piece of advice would be to show your work in context. Make sure you\u00e2\u20ac\u2122re showing the full experience of the design you\u00e2\u20ac\u2122re delivering. Mock up the logo on real products and storefronts \u00e2\u20ac\u201d wherever you\u00e2\u20ac\u2122d ideally see it exist! For years, we have hired a photographer and stylist to create flatlays for our portfolio and clients to show off their new brand and site design. Now, with sites like Creative Market growing in their offerings, there are more high-quality templates and mockups than ever that you have available to you to create a realistic backdrop for your creations.<\/p>\n\n\n\n Kathryn Joachim, Brand Strategist and Owner at Cr\u00c3\u00a8me Brands<\/a><\/strong><\/p>\n\n\n\n Honesty is still the best policy.<\/p>\n\n\n\n Hokey sayings aside, being honest in how you present yourself through your graphic design portfolio establishes your credibility with a prospective employer or client. It\u00e2\u20ac\u2122s actually one of the 10 traits of highly sought-after designers<\/a>.<\/p>\n\n\n\n It\u00e2\u20ac\u2122s a mistake to do otherwise, says Cody Tilson of Leviathan.<\/p>\n\n\n\n \u00e2\u20ac\u0153The projects we work on are complicated and require collaboration every step of the way. Be honest and forthcoming about your involvement in every project\u00e2\u20ac\u201dno one is going to expect that you work in a vacuum. There is nothing wrong with clearly outlining your role in creating something bigger than yourself; we’ll respect you more for doing so, Cody stressed.<\/p>\n\n\n\n Cody Tilson, Creative Director at Leviathan<\/a><\/strong><\/p>\n\n\n\n In all likelihood, your graphic design portfolio lives online, whether as your personal website or a dedicated portfolio page. As such, it’s imperative that you ensure a one-of-a-kind user experience<\/a> for your client or potential employer who lands on your site. That means working hard on web design to ensure that users can navigate and understand your portfolio website with ease.<\/p>\n\n\n\n Aaron Sanfillippo from Two by Four gives us the lowdown.<\/p>\n\n\n\n \u00e2\u20ac\u0153Your portfolio\u00e2\u20ac\u2122s design should be simple to navigate and straightforward enough to easily understand. If your portfolio\u00e2\u20ac\u2122s layout or content is somehow distracting, it\u00e2\u20ac\u2122ll likely lead to someone leaving your website. Don\u00e2\u20ac\u2122t clutter your site with unnecessary content and fluff. Someone is looking at your portfolio because they want to see your work and understand a little bit about who you are as an individual (or team). The best portfolios are able to showcase these two simultaneously, not separately. What do you want someone to be able to take away from your site? What impression do you want to leave them with? Find out what that is, and cater your portfolio\u00e2\u20ac\u2122s viewing\/reading experience based off your answer.<\/p>\n\n\n\n Today\u00e2\u20ac\u2122s UX also means mobile<\/a>, more than anything else.<\/p>\n\n\n\n \u00e2\u20ac\u0153In today\u00e2\u20ac\u2122s world, your portfolio needs to be digestible on a phone screen. You don\u00e2\u20ac\u2122t get to choose when or how potential clients look at your portfolio, so you need to keep in mind all viewing possibilities\u00e2\u20ac\u201dan even better reason to keep your portfolio simple and straightforward, Aaron conveyed.<\/p>\n\n\n\n Finally, your graphic design portfolio needs to compel<\/em> your leads to take action\u00e2\u20ac\u201dwhich means getting in touch with you.<\/p>\n\n\n\n \u00e2\u20ac\u0153Want someone to reach out to you for work? Want to learn how you can help them and their business? Make that clear. Find a dedicated spot on your website for a direct call-to-action and simple ways for someone to communicate with you, like an email address and\/or phone number. Don\u00e2\u20ac\u2122t make someone work to find this information. Avoid a project form asking clients for their project\u00e2\u20ac\u2122s budget, what type of project they\u00e2\u20ac\u2122re reaching out about, etc. \u00e2\u20ac\u201d that can all come later in the process. People want to talk to people\u00e2\u20ac\u201dnot forms. This is your opportunity to make a personal first impression with a potential client, so make it count.<\/p>\n\n\n\n Aaron Sanfillippo, Design Director at Two by Four<\/a><\/strong><\/p>\n\n\n\n Your unique value proposition (UVP) should be top of your mind when compiling your graphic design<\/a> portfolio. Your leads need to come away with knowing what you do better than all the other designers around you, who are vying for the same project or position.<\/p>\n\n\n\n\n\n Shook Kelley\u00e2\u20ac\u2122s Sabrina Fan recommends that graphic designers differentiate themselves by highlighting the value they bring.<\/p>\n\n\n\n \u00e2\u20ac\u0153Feature the thought process and rationale behind projects, to help prospective clients see the value you offer beyond aesthetics. On-trend and turnkey aesthetics are easy to buy online nowadays. The real value of hiring a professional graphic designer<\/a> is in how design can be used to address, enhance, or solve their specific business objectives and challenges.<\/p>\n\n\n\n Be seen as a guide who can lead businesses to solutions they wouldn\u00e2\u20ac\u2122t have thought of independently.<\/p>\n\n\n\n Show the success of the work. Bring prospective clients full circle in understanding how projects impacted clients you worked with before. Frame successes around client objectives rather than design objectives, which they may not understand or care about, Sabrina said.<\/p>\n\n\n\n\n
<\/span>2. It Comes Down to the Trifecta<\/span><\/h2>\n\n\n\n
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His other actionable tips include:<\/p>\n\n\n\n\n
<\/span>3. Help Your Graphic Design Portfolio Stand Out with a Personal Touch<\/span><\/h2>\n\n\n\n
<\/figure>\n\n\n\n<\/span>4. Understand What You Specialize in and Communicate That Well<\/span><\/h2>\n\n\n\n
<\/span><\/a>Example headline<\/span><\/h5>\n\n\n\n
<\/span>5. Broaden Your Concept of What Portfolio Design Can Be<\/strong><\/span><\/h2>\n\n\n\n
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<\/span>6. Don’t Be Shy About Showing Off Your Best Clients<\/span><\/h2>\n\n\n\n
That\u00e2\u20ac\u2122s how SullivanPerkins\u00e2\u20ac\u2122 Mark Perkins, founder of one of the country\u00e2\u20ac\u2122s leading creative service firms, sees it.
\u00e2\u20ac\u0153If the purpose is to attract more clients, then you want to show work from the verticals (healthcare, manufacturing, real estate, whatever) that you hope to attract, and you also want to show the most recognizable client names, Mark stated.
In essence, if you\u00e2\u20ac\u2122ve worked with more well-known clients, then, by all means, let them take center stage in your graphic design dossier.
\u00e2\u20ac\u0153There\u00e2\u20ac\u2122s no real need to show that innovative, pro-bono work for the experimental theater company or the fabulous posters volunteered for the local graphic arts club that got in every award show. The pharmaceutical client is going to be far more interested in your pedestrian packaging for Pfizer than in the clever, pro-bono logo for the local animal shelter.<\/p>\n\n\n\n<\/span>7. Always Have a Multi-Pronged Approach to Your Graphic Designer Portfolio<\/span><\/h2>\n\n\n\n
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<\/span>8. Get Better Results by Implementing This Three-Step Sequence<\/span><\/h2>\n\n\n\n
<\/span>9. Evolve the Contents of Your Graphic Design Portfolio<\/span><\/h2>\n\n\n\n
<\/figure>\n\n\n\n<\/span>10. Build a Portfolio Around Range and Concept<\/span><\/h2>\n\n\n\n
<\/span>11. Study Your Audience Like a Hawk<\/span><\/h2>\n\n\n\n
<\/figure>\n\n\n\n<\/span>12. Keep up With Design Trends<\/span><\/h2>\n\n\n\n
<\/span>13. Be Selective and Put Your Work in Context<\/span><\/h2>\n\n\n\n
<\/span>14. Represent Yourself Honestly<\/span><\/h2>\n\n\n\n
<\/figure>\n\n\n\n<\/span>15. Tailor Your Graphic Design Portfolio Website to the User Experience<\/span><\/h2>\n\n\n\n
<\/figure>\n\n\n\n<\/span>16. Put Your Unique Value Proposition on Full Display<\/span><\/h2>\n\n\n\n